We’ve Got The Beat That Bounce
Watching the video for “Boom Boom Pow” this weekend – just because, okay? – raised the obvious question: what do the other two guys in the Black Eyed Peas do? Why are they there? You’ve got Will.i.am producing the songs – and as little as I like their songs, “Boom Boom Pow” has a really catchy beat to it. You’ve got Fergie on vocals and eye candy. While the latter trumps the former in most pop acts, she has a good voice in her own right.
But then there’s the other two guys: the ugly one and the guy with the samurai topknot. What do they add? They’re not very talented rappers. I can’t imagine they have a lot of female fans screaming over them. Now that the Black Eyed Peas have become world-class superstars, why are these guys around?
The world seems to have answered that question for me, in that Will.i.am has made tentative crossover steps (like his role in X-Men Origins: Wolverine) and Fergie has a solo career. Whereas no one cares about Taboo’s aborted solo projects, or his role as Vega in Street Fighter: The Legend of Chun Li. So, asked and answered.
Of course, it would be rather mercenary for a band to drop its less attractive / useful members once it achieved superstardom. And since pop music isn’t known for its mercenary attitude, I suppose we’re stuck with those two until the end of time.
Things Not To Say, Even At A Whisper, In A Conference Room Full of Coworkers When You Realize You’ll Have To Present First
Have You Come Here For Forgiveness? Have You Come To Raise the Dead?
U2 played at Foxboro Stadium, south of Boston, this past Monday. I did not go to see them, though I had ample opportunity. At least three friends e-mailed me, forwarding along info from friends who were trying to offload tickets. One of them needed to get rid of a dozen club-level seats (private bathrooms, free snacks, etc) at $250 a pop.
I like U2 as a concept; I’m glad they still exist. But I have no real desire to ever see them live. Certain bands generate an energy when heard live that trumps any of their albums. I can’t imagine what hearing U2 live would add, other than “more fireworks” and “Bono’s face on a Jumbotron.”
Here’s some anecdotal data: I’ve gone to karaoke probably one hundred times in the last three years. My favorite haunts all have very extensive songbooks. But I have never heard anyone sing a U2 song from later than 1996. And if we exclude the one time somebody covered “Hold Me, Thrill Me, Kiss Me, Kill Me” (from the Batman Forever) soundtrack, no one goes more recent than Achtung Baby. That’s eighteen years of irrelevance.
I Guess I Thought You Had The Flavor
In conversation with a friend recently, I realized how much the question, “Why do I always want what I can’t have?” answers itself. You want what you can’t have because you don’t have it. If you had it, you wouldn’t want it any more – because you’d have it. This is true whether you’re talking about romantic partners, careers or a 42″ plasma TV. Wanting what you can’t have doesn’t make you weird or broken or hopeless – it’s part of the human condition.
“Why do I always want what I can’t afford?” is an interesting question. But wanting what you can’t have is normal. There’s a reason Buddhists say not wanting is such a big deal: because it’s really, really hard.