From the Blog

But seasons must be challenged or they totter
Into a chiming quarter
Where, punctual as death, we ring the stars

- Dylan Thomas, “I See the Boys of Summer”

For as long as I can consciously remember I’ve feared death. But I’ve also feared aging just as much. At least in death you’re asleep for the bad parts, whereas old age just stays with you. Your hands get weak and palsied; your sharp mind starts to slip at the corners. Everything becomes slower and harder and duller.

I do find hope, though. Once in a rare while I’ll see an old person do something awesome.

I should stress that when I’m talking about old people doing awesome things, I don’t mean Grandma baking you a cake that spells out your name in frosting for your 21st birthday. I don’t mean Grandpa reminiscing over the awesome things he used to do, back in Normandy or Korea. I mean Jack Palance doing one-armed pushups onstage at the Oscars. I mean Dorothy Parker still wielding a razor pen, even in her later years. I mean old guys who drag their grandchildren by the collar rather than spoil them. I mean old women who don’t take shit from anyone.

Things like that give me hope that old age won’t mean twilight.

During belt tests in jiu-jitsu, like the one our school had last night, the black belts stand in the back – partly to supervise the proceedings, partly to look dignified and supportive. Several students of all ranks demonstrate at once, peeling off and sitting down as their techniques are finished. Finally we just had two: Anthony and Mussal.

Mussal worked with Rob, one of the bigger students in our class. He would cock his head to get instructions repeated to him; our head instructor, Nick, tends to speak a little fast. He would start each technique with slow precision, but then whip on the final momentum. Several of the black belts nodded approvingly at his shodan wrist locks: excellent lead, enough to get a bigger man on the tips of his toes.

We ended the test by surrounding Anthony and Mussal, one at a time, and firing attacks at them in rapid succession. Nick called out an o-goshi hip throw, one of the staples of judo. I took an overhand swing at Mussal. He blocked it, stepped inside, popped me up on his hip, and flipped me over. “Too light,” he called out; everyone laughed.

Finally, we’d all attacked him and Nick called an end to the test. The class broke out in applause. Nick came over to shake his hand, but Mussal waved him off. “Where’s the other one?” he asked, his Moroccan accent thick but legible.

“You mean Vlad?” Vlad’s one of the senior brown belts, a few months away from joining the ranks of senseis. He’s built like a duffel bag full of bricks and he moves like three cats. In martial arts parlance, we would say that he has exceptional ki – good control of his breath and balance that results in good movement. I cannot consistently throw him.

Mussal wrapped up Vlad’s lead arm, pulled him off balance, dropped his hips, and tossed him on his first try.

At the end of the test, every promoting student kneels in the front and removes their old belt. Sensei Nick ties on each new belt in turn. He reached Mussal at the end of the line and leaned in close to ask him something. “Can I?” Mussal nodded.

“Mussal,” Nick told the class, “is turning sixty in 45 days. And I think all the black belts here would agree that that wasn’t just a good test ‘for someone his age’ – that was a phenomenal test, period.”

“Thank you for not giving up on me,” Mussal said.

“All of us get tired,” Nick continued. “We get injured, we get stresses in other parts of our lives. We get old. But it’s how you react to those obstacles that makes you a true martial artist.”

I know, realistically, that not every aspect of aging lies in my hands. I could still fall victim to some illness, some lingering disorder or early dementia. But to the extent that my age is under my control – in attitude, in outlook and in the way I react to the world – I don’t intend to give up yet. Or ever. I may still be scared of death, but I’m not going to start dying early by letting life pass me by. I’m dancing on my sixtieth birthday: that’s a promise.

There’s no one in here but the fighters.

- Redbelt

Since my iPod has gone on the fritz, MTV.com has become my preferred source for listening to 80s and 90s music online. The RIAA has cracked down on YouTube, and the sound quality tends to be a little better. I just roll up a playlist of favorites, minimize the browser (since I’d rather hear Lindsay Buckingham sing “Big Love” than watch him), and crank through a spreadsheet.

Yesterday I saw MTV promoting the latest My Chemical Romance video, “Desolation Row.” Hmm. Well, all right. I liked “Famous Last Words.” Let’s give it a listen.

My thoughts, in rough chronological order:

  • As far as screamo covers of Bob Dylan songs go, it’s not bad. I can tap my toes to it.
  • You know, it’s funny. This song first entered my consciousness as the title heading of Chapter 1 of Watchmen. “At midnight, all the agents …” etc.
  • Now that I think about it, this video has an awful lot of cops-in-riot-gear imagery.
  • And the marquee at the start of the video said My Chemical Romance was opening for a band called “Pale Horse.”
  • And Zach Snyder‘s the director?! Wait a second …

So Watchmen audiences can expect a My Chemical Romance cover on the soundtrack. I don’t know if this disappoints me or entertains me; I offer it without comment.

Feb
24
Posted by Professor Coldheart at 7:38 am

My iPod – the fourth generation model, 40 GB, no color display – had been freezing about once a week and requiring a hard reset. Last Friday it finally died while charging, giving me the iPod frown.

I’ll take it to the Geniuses to see if they can salvage it, naturally, but I had been thinking about upgrading my portable music solution anyway. So I turn to you, Internet, for advice.

Two questions:

  • First, if I do go iPod again, as I most likely will, which model should I get? I like the slim convenience of the Shuffle, but I don’t know if 500+ songs that I can’t choose from will be enough variety for me. Music controls my moods in a powerful way. I like to have lots of different playlists depending on what I’m going for – quiet reflection, pumped-up energy, just feeling like a cool cat, etc.

    So if I decide storage space trumps convenience, I may go for the Classic (80 GB). It’s more expensive, but I can experiment with watching videos on the train. Like the cool kids do.

    I’m not likely to go all the way for the iPod Touch, but you’re welcome to give feedback if you have one and love it.

  • Second, if I don’t go iPod, what non-Sony product would you recommend? CNet speaks well of the Sony NWZ-S738F, the Archos 605 and the (hyurrrech!) Zune. The folks at Consumer Reports like SanDisk and Creative. Your thoughts?

Weekend adventures included:

  • Drinking at the Davis Square VFW in a benefit concert for the upcoming Avon walk for breast cancer research. Attendees too numerous to list: essentially, the entire Davis Square community on LiveJournal. I had plenty of beer and cheap gin – there’s no cheaper drinking than VFW drinking, let me tell you – and watched Provocateur do their usual electro-pop dance spectacular. Pictures available on Facebook.
  • Shouted myself hoarse over the soundtrack at The Field while drinking with Hawver, Fraley, Dave G., Melissa and Katie H. Hawver and I debated which country would become the next world superpower after oil took another price spike (my vote: Canada; his vote: nobody). The conversation wound its way to rock music, at which point we all listed our five essential rock albums. We all agreed on Appetite for Destruction.

    This gave me the opportunity to recount my favorite Axl Rose anecdote, as told by Sebastian Bach:

    I had just finished shooting Supergroup for VH1. It was on TV in America while we were gallivanting across Europe. We had a beautiful dinner at some incredible Italian restaurant. We are sitting there and I go, “Dude, I just shot this reality show for VH1 and they paid me this amount of money, man. It was fucking easy. It was only like two weeks. It was hilarious. Axl, if they paid me this amount of money, they’d pay you like a million bucks for 10 days of some shit.” He’s looking at me with this look on his face and he’s all quiet and he goes, “Sebastian, you don’t understand.” I go, “What?” He goes, “I will pay VH1 $2 million to leave me the fuck alone!”

  • Beating BioShock. Maybe I’ve missed out on some key developments in FPSs over the last five years, but the level design in BioShock seemed a little repetitive. You get within three feet of a goal in the first 10 minutes of the level, then some arbitrary wall is thrown in your path. So you have to backtrack through the level to get MacGuffins A, B and C, then you can advance the remaining 50 feet and fight the boss. Plus, the game would arbitrarily make the standard mooks that you run into more challenging at various points. I don’t mind facing harder enemies and having to upgrade my gear – I just mind when it comes without warning.

    That being said, it was rewardingly challenging, opulent in both graphic design and original score, and the rare type of video game that makes you think about the human social order. Expect more on that later.

  • Jiu-jitsu on Sunday. While my work schedule stays crazy, I’m taking advantage of the new open classes on Sundays. Aside from some initial cardio there’s no fixed format – you work on what you like for as long as you like. I’ve learned and practiced some pretty exciting wrist locks these past two weeks. Plus it gives me an active cornerstone to what might otherwise be a lazy day.
Feb
20
Posted by Professor Coldheart at 7:00 am

Two things!

(1) I have another post up on Overthinking It, regarding Star Trek II: The Wrath of Khan. There are two significant plot holes regarding Ceti Alpha V – the planet that Chekov and Terrell find Khan stranded on – and I (over)think they cast an entirely different light on the real villains of the movie.

I’m particularly proud of this one; please check it out.

(2) I got tagged to write about 25 albums that are important to me on Facebook. But I’m doing it here, so I can give a short blurb as to why each entry is important.

(more…)

Feb
19
Posted by Professor Coldheart at 8:55 am

If I can’t write content of my own, I’ll link to people who do:

  • Zabeth has a tumblr blog based on the reliable concept of finding interesting bits of media and commenting on them. What makes hers different, however, is that she’s a professional funny person and that she lives in L.A. – a perpetual source of comedy.
  • If the bracing, apolitical cynicism of IOZ or Whatever It Is I’m Against It turns you on as much as it does me, you might like Dear Leader as well. He also does trenchant reviews of movies and TV from time to time.
  • The House Next Door: TV and film commentary of all sorts. Literate and accessible.

Suppose the Sun let out a massive electromagnetic pulse tomorrow evening, as it is within its rights to do.

Ironically, we’re most familiar about the EMPs caused by nuclear detonations – the effects of a geomagnetic storm we can only speculate at. But it’s pretty certain that a solar flare of sufficient size could cause an E3 pulse that would affect most of the planet. This would short out every power transformer, rendering the world black and lightless.

It’s not clear, based on my casual reading, whether a solar flare would also generate an E1 pulse, the kind that ruins computers. But it sounds plausible, especially with a big enough solar event. So let’s say that happens, too.

Every computer on Earth is blanked and fried. Every power station on Earth starts spitting black smoke. Everything stops.

Then what?

  1. More than half of the world’s humans don’t even notice.
  2. Communications grind to a halt. Even presuming your cell phone survived the E1 pulse, the cell tower relies on computers – and electrical power – to rout your call. Landlines would still work, except the switching centers also rely on both computers and electricity. Any region that’s still served by an operator and a switching board has communication. Everyone else can fall back on shortwave radio – unless the aforementioned solar flare has fucked up the ionosphere so much that radio signals are no longer intelligible.
  3. Food riots within a month conservatively – maybe even two weeks. While interstate trucking (the source of most American foodstuff) still works, nobody knows what trucks to send where. Food shipment relies on a complex system of transactions, few of which are possible without communications (see point #2). Folks in the Heartlands might be okay for a while.
  4. Water treatment plants in the major cities fail. Flushed sewage begins seeping into groundwater. Dysentery, cholera and typhoid return to the Eastern seaboard.

And these are just the things we know will happen. There are plenty of things we can infer – looting, anarchy, etc. After all, guns still work just fine.

I started thinking about all this, oddly, because of the dinosaurs.

So much of human knowledge is stored digitally in this century, and we’re only going to add more. If something happened to destroy that knowledge, what would a species of alien archaeologists think of us, millions of years from now?

Maybe dinosaurs had rich and fulfilling aesthetic lives. Maybe they had immense solar-powered machines, designed to break down into biodegradeable cruft after a few uses. A massive asteroid impact that blotted out the sun would render these machines useless, destroying dino society.

Sure, they wouldn’t all die out instantly. The hardy ones, capable of adapting to a hunting/foraging lifestyle, would survive for millions of years. It just wouldn’t be much of a life worth living. They would spend monotonous days snatching at lesser herbivores, fumbling blindly through the decaying remains of the once great Dinosaur Empire.

At 90s Night this past Friday, I ran into KT, who had fully recovered from her case of K.I.D. (though I hear there’s 18 to 25 years of outpatient visits). I only got to see her briefly. And b0st0n regular jenskot (no known alias) showed up as well with a friend of hers from school. But the high point of the evening was running into Erin L. and Matt W. I hadn’t got to dance around to Bosstones with Erin since … 2001? Holy hell. College was a long time ago.

“It’s good that we’ve run into each other now,” I yelled to her over the music, “at a point in our lives where our hair is the best it’s ever been.”

# # #

Saturday, after brunching with Rachel V. in the morning, I went to Lisa B’s birthday party at her sky-rise in Medford. I lost several games of flipcup but stayed sober enough to drive home, partly by loading up on an insane number of carbohydrates.

Someone put The Princess Bride on TV about half an hour before I left. “What do you think would happen if Andre the Giant fell on you?” Steve M. asked me.

“He’s a bit taller than me,” I observed, “but he’s three times my weight. So I doubt he’d even …”

“Three times? Jesus.”

# # #

Sylvia and RJ mentioned earlier in the week that they’d never seen Road House, so I dragged them to my apartment on Sunday evening to watch it.

“She can’t make eyes at him,” RJ complained, as the Kelly Lynch / Patrick Swayze romance began to bud. “That sketchy bar owner’s already been sizing him up.”

“This movie has both homo- and hetero-eroticism,” I told him. “You’re allowed to have both.”

“I guess.”

# # #

Monday I attended my first Yelp! Elite event. I don’t know who’s making money off these things; it’s happening in a way that’s invisible to me. If you’re an “Elite” reviewer – and if they let me in, how hard can it be? – you get invitations to monthly events at local bars. Corporations provide gift bags and free drinks and snacks. Guests pay nothing. This has to profit somebody; I’m not sure who.

The February event was at Noir on Monday night. Not only did I chat up Serpico, Kim, Joanna and Brian – folks I see all the time – but I went out of my way to meet strangers, too. I mingled, which is shocking if you know me. And I loaded up on fancy appetizers and downed three Maker’s Mark Manhattans in ninety minutes. Either the bacon and spinach dip really soaks up the bourbon or they poured the (free) drinks light, as three Manhattans will normally floor me. But I was in good enough shape to watch people ice skate.

“Are you going to skate?” Lauren R. asked.

“Nope,” I said, gesturing in the air a foot above my skull. “My center of gravity’s right about here.”

“Well, we’re going to.”

“Great. Remember to fall on your forearms, not your hands. Have fun!”

Feb
16

Hopefully nobody’s reading my weblog on their day off, so I can yammer about why I love Avatar: The Last Airbender so much.

I recently acquired all three seasons and have been watching them in dribs and drabs over dinner for the past few weeks. I’m two episodes away from finishing Season 1 (no spoilers in the comments, please). And I just can’t get enough of it – of this cartoon that originally aired on Nickelodeon. What gives?

Here’s what gives:

  1. The characterization works. You almost never see a character do something stupid simply for the sake of stringing the plot along. This sounds trivial, but think for a moment about how many of the best shows in the world hinge on that kind of sloppy writing. The male hero sees his female crush cheat on a test – should he confront her about it? should he tell the authorities? O, the heartbreak – and voila, that’s 44 minutes filled right there.

    In Avatar, though, everyone owns up to what they want. They have their own agendas; they’re not just vessels through which the show’s plot is poured.

  2. The action is incredible. There’s only one episode in S1 I can think of that breaks the above rule – “Bato of the Water Tribe” – in which Aang (the titular Avatar) keeps something secret from his friends Sokka and Kitara in the hopes that they’ll stay with him. It’s pretty lame.

    Fortunately, the writers dispense with that by the second act break and, as if to make up for it, stage one of the most kickass kung-fu fights I’ve ever seen. And I’ve got a decent collection of Yuen Woo-Ping on the shelf.

    Most animators depict fights as wavy blurs of lines and feet, or a few stock motions looped endlessly together. The animators of Avatar consulted with kung fu instructors before putting pen to paper. Every character fights in a recognizably different way. Plus, the canvas of animation means the directors can get away with stunts that would look stiff or artificial in real life – like Aang running up a cliff face on a ball of whirling air while someone lobs fireballs at him from below.

  3. The stories are simple but sophisticated. Most cartoons and sitcoms write kids as “dumber adults.” The three heroes of Avatar are all kids, floating in a vague range of pre-adolescence. These kids, however, are just as smart as the adults around them – they just care about simpler things.

    Add to that the fact that the show has few real villains. Aang and his friends are chased by two remarkably sympathetic antagonists – Prince Zuko, a hot-tempered teenager, and his sardonic Uncle Iroh (voiced by the late Mako). Zuko’s a boy trying to live up to his father’s unspoken expectations, and Iroh’s a put-upon man with a job he doesn’t much like. The few times they get inconvenienced or captured – or, late in the season, when they get taken off the hunt for the Avatar – you find yourself rooting for them.

  4. The writers have an excellent sense of comic timing. Consider the episode “The Fortuneteller,” where Aang – the Avatar – and his friends get their future foretold by a village mystic:

    Aunt Wu: You will be involved in a great battle, an awesome conflict between the forces of good and evil! A battle whose outcome will determine the fate of the whole world!
    [dramatic pause]
    Aang: Yeah yeah, I knew that already. But does it say anything about a girl?

    Sokka, normally the comic relief character, isn’t as enthralled by this fortuneteller as everyone else.

    Sokka: Hey, you. I bet Aunt Wu told you to wear those red shoes, didn’t she?
    Red Shoed Man: Yes. She said I’d be wearing red shoes when I met my true love.
    Sokka: Uh-huh. And how many times have you worn those shoes since you got that fortune?
    Red Shoed Man: Every day.
    Sokka: Then of course it’s going to come true!
    Red Shoed Man: Really? You think so? I’m so excited!

    [...]

    Sokka (pointing to the exploding volcano) Look! Can your fortunetelling explain that?
    Man in Crowd: Can your “science” explain why it rains?
    Sokka: Yes! Yes, it can!

  5. The plots themselves are remarkably sharp. Here I can’t talk any further, at the risk of spoiling things. But for those who’ve already seen it, I’ll say that the “Winter Solstice” two-parter, “Jet,” and “The Blue Spirit” – among others – impressed me as much as any other TV that I watch regularly.

Just as Batman: The Animated Series was perhaps the best cartoon of the 90s – adult in tone, theme and visual style but still palatable for children – I think Avatar: The Last Airbender is probably the best cartoon of the 00s. Parents: get your kids hooked on it today. Better for them than that Pokemon crap.